Vilification of abusers won’t contribute to solution

Review by — John C. Seitz

If we want to understand sexual violence, we have to get to know its perpetrators and the worlds in which they were formed. In the particular context in which Marie Keenan is interested — clerical sexual abuse and its cover-up in the U.S. and Ireland since the middle of the 20th century — such an adage goes from truism to nonstarter. Pressure not to get to know clerical abusers and the institutional, educational and social worlds of their formation comes from many angles of varying validity.

A posture of attentiveness to abusers may strike some abuse victims and their advocates as excusing the abuse and losing sight of the harm it may have inflicted. For their part, media outlets have helped uncover abuse, but they have also contributed to the vilification of clerical offenders, fixating on the category of pedophilia (at the expense of other abusive scenarios), and fomenting moral panic.

Church officials, on the other hand, want to isolate abusers and officials complicit in cover-up. They would have us pay attention to abusers only as aberrant pathological individuals. The theological or institutional context for their production as clergy is more or less off-limits.

Keenan, a researcher and lecturer in applied social science at University College Dublin and a registered psychotherapist, plunges into these taboo waters, taking her readers into the theological, moral and institutional contexts for abuse and cover-up. Working with the ever-present caution that to “understand all is never to forgive it all,” Keenan makes this journey in part through analysis of extensive conversations with nine Catholic men — all retired or laicized Irish priests and brothers — who admitted to having sexually abused minors in the past.

The premise for such a move is simple: Vilification of abusers prohibits thick understandings of their lives. Content to turn “them” into monsters, we avoid their (and our) implication in wider contexts that helped produce the abuse. Humanizing abusers offers significant new angles on the problem. Listening to these men’s stories allows Keenan to see that they “were not in themselves ‘bad’ men, rather, they were trying to be ‘perfect’ priests.” Description of what it meant to be “perfect” — to practice the priesthood in the officially celebrated manner — goes a long way toward explaining how these men could “rationalize” their behavior and the secrecy that surrounded it.

Keenan does not rush into a presentation of the perpetrators’ stories, as if they alone were enough. Instead, the first half of the book includes a review of the existing literature on clerical sexual abuse, the culture of seminaries, and psychologies of abusive behavior. This first half of the book also includes an insightful reading of the complexities of “power” as theorized by contemporary scholars of gender. She interprets these sources clearly and cautiously. These chapters alone make Keenan’s work immensely useful. But the book’s real contribution comes from its exploration of the stories of nine abusive clergymen in Ireland.

This latter section of the book develops several themes relevant to the rise of abuse in Roman Catholic settings. Her focus is on seminary culture and education (in the period before the 1990s) and the kind of living it enabled and disabled. In these spaces priests learned to fear sexuality, disavow their bodies and emotions, bury non-priestly components of themselves, and adapt to emotionally isolated and lonely lives.

Two additional themes enhance her critique of clerical formation. The first is a paradox of clerical life, a condition she describes as simultaneously powerful and powerless. Valorized as special beings with unique ritual powers and heightened virtue, priests and brothers were also demeaned and devalued by expectations of humility and deference to their clerical superiors. Often unsupported and unsupervised and yet conditioned toward obedience to those above, many clerics experienced frustration in a church that demanded so much of them.

These conditions, along with sexual immaturity fostered by lifelong silence surrounding sexuality, helped produce priests who had an “emotional congruence” with children. Keenan sees perpetrators of abuse tragically seeking to navigate their emotional tempests in the presence and with the bodies of young people, whom abusers saw as equal, if easily silenced, partners.

The other most compelling theme concerns moral education. The church, Keenan argues, has offered poor tools for making judgments. Instead of judging out of a context of relationships with particular others and dynamic processes of introspection and empathy, seminarians were instructed in the technical and intellectual application of fixed, universal and external rules. Impersonal and abstract, this moral theology enabled abusers to treat their behavior as a matter of sin against God and purity and not as a matter of harm for others. Moreover, the confessional, with its seal of secrecy, further enabled the abuse by providing a context for expiation of this sin. Regular confession helped convince the priests that they were at least trying to meet God’s standards. All of the nine priests confessed their abuse in confession — according to their reports, only once did a confessor alert the abuser to the criminal nature of the offense. The system advanced a purity ethic at the expense of a relational ethic.

If all or most priests and brothers were trained amid these conditions until very recently, why did some abuse while others did not? Keenan argues that abusers were more likely to be those inclined to be rule followers rather than rule breakers. Many clergy had the ability or cunning to know which rules they needed to bend or break in order to make seminary and clerical life humane. Others, those aspiring to the most strict and idealized version of the priesthood (what Keenan calls “Perfect Celibate Clerical Masculinity”) were essentially harmed by the church in the process. Buying into the impossible standards of this idealized clerical identity stifled opportunity for these men to openly explore their humanity and sexuality, develop intimate and satisfying adult relationships, account morally for their impact on others, and see themselves outside their duties to powerful superiors.

The stunning conclusion of this work is that for those who embraced the idealized model of perfect celibate clerical masculinity, seminary and priestly life were in themselves abusive contexts. Overly credulous or unsavvy, they accepted standards that led to “soul death.” Eventually, children were the “sacrificial lambs” on the altar of this image of clerical perfection. Until recently, victims’ silence allowed Catholics to ignore their complicity in the institutional secrecy and hypocrisy that helped these sacrifices continue.

For Keenan, it remains a question whether these voices speaking up will result in real change. Vilification or dismissal of abusers won’t contribute to the solution. Apologies, shame and even strict “zero tolerance” policies will not constitute the kind of structural reform that will begin to solve the problem in the Roman Catholic church. Only a “new model of the church” will do. Keenan’s hard-nosed and sophisticated book is a step in that direction.

Complete Article HERE!

Film defrocks church hierarchy over handling of sex abuse

By Andrea Burzynski

Four deaf Wisconsin men were some of the first to seek justice after suffering childhood sexual abuse at the hands of a priest, and a new documentary about the Catholic Church’s poor handling of such cases stemming from the Vatican seeks to make their voices heard.

“Mea Maxima Culpa: Silence in the House of God” explores the impact of the Roman Catholic Church’s protocol as dictated from the Vatican for dealing with pedophile priests. It opens in U.S. cinemas on November 16, and will air on cable channel HBO in February.

Though American media coverage about child sex abuse by clergy has been extensive since a slew of cases came to light in Boston in 2002, Oscar-winning documentary director Alex Gibney wanted to connect individual stories with what he sees as systemic failures stemming from the top of the church.

“A lot of individual stories had been done about clerical sex abuse, but I hadn’t seen one that really connected the individual stories with the larger cover-up by the Vatican, so that was important,” Gibney told Reuters in an interview.

The film centers on the group of deaf men and their experiences as young boys attending St. John’s School for the Deaf in St. Francis, Wisconsin.

In a letter to the Vatican in 1998, the late Rev. Father Lawrence Murphy admitted abusing some 200 deaf boys over two decades beginning in the 1950s.

Murphy claimed he had repented, and asked to live out his last years as a priest, and was never defrocked or punished by civil authorities. He died in 1998.

In the film, the men communicate their frustrating attempts to bring their experiences to the attention of religious and civil authorities with effusive sign language and facial expressions, paired with voiceovers by actors such as Ethan Hawke.

The film also traces a convoluted bureaucracy – right up to the cardinal who is now Pope Benedict – to reveal a set of policies that the film portrays as often seeming more interested in preserving the Church’s image.

STRUGGLING TO BE HEARD

“These were deaf men whose voices literally couldn’t be heard, so there was a silence from them, and there was also this silence coming from the church, a refusal to confront this obvious crime, in part because they were covering it up,” said Gibney.

The Vatican has denied any cover-up in the Murphy case and in 2010 issued a statement condemning his abuse. It has criticized media reports about the Church’s handling of the cases as anti-Catholic.

Contrasting that, the film shows interviews with former church officials who talk openly of church policies to handle cases by “rehabilitating” abusive clergymen and snuffing out scandal.

Gibney said that all of the Vatican officials he contacted declined his interview requests.

Raised Catholic himself, Gibney no longer practices organized religion, but empathizes with Catholics who feel a sense of loyalty to the religion’s institutions and acknowledges that criticism of the church can feel like a personal attack.

“Mea Maxima Culpa,” a Latin phrase meaning “my most grievous fault” focuses on the failures of the Catholic Church’s hierarchy. But Gibney – who won an Oscar for “Taxi to the Dark Side” – said the film’s theme transcends religion and is also relevant for secular institutions.

“This is obviously about the church, but it’s also a crime film,” he said. “It’s about abuse of power and it’s about how institutions instead of reckoning with problems try to cover them up. It’s always the cover-up that creates the problem.”

He cited the Jerry Sandusky sex abuse scandal that rocked Penn State University recently, and the BBC’s poor handling of abuse allegations against the late British TV personality Jimmy Savile as examples of secular institutions brought low by similar issues.

“The thing about predators is that they tend to hide in plain sight,” Gibney said. “You’re seeing it now with Sandusky, you’re seeing it now with Jimmy Savile in Great Britain, and you saw it with Father Murphy in the film.”

Gibney thinks that the public’s stubbornly rosy perceptions of charismatic authority figures, including priests, is a major factor in such scandals.

“They’re often involved in charity or good works,” he said of high-profile abusers. “That seems to give you license to do unbelievable things because people cut you all sorts of slack that they wouldn’t normally do for other people.”

Complete Article HERE!

Roman Catholic Church spent $2 million to defeat marriage equality

by David Zimmerman

According to a new report released by the Human Rights Campaign (HRC), the Roman Catholic Church spent approximately $2 million in an effort to defeat marriage equality initiatives in the four marriage ballot states of Maine, Maryland, Minnesota, and Washington this election cycle. An updated HRC report, available HERE, provides a snapshot of just how much money the Church, along with its close ally the National Organization for Marriage(NOM), poured into campaigns aimed solely at depriving LGBT Americans of dignity and respect.

In Minnesota, the Roman Catholic Church spent upwards of $1.3 million, funding nearly 25 percent of the failed attempts to write discrimination into the state’s constitution. The Church’s funding included hundreds of thousands of dollars from dioceses across the country. The report also highlights the Roman Catholic Church’s donations to states where voters affirmed marriage equality – more than $100,000 in Maine; well over a quarter-million dollars in Maryland; and $307,000 in Washington.

Despite voters rejecting the anti-LGBT agenda financed by the Roman Catholic Church and NOM, the U.S. Conference of Catholic Bishops recently re-committed to fighting against equality for LGBT Americans. San Francisco Archbishop Salvatore Cordileone – a leading anti-LGBT voice within the Roman Catholic Church and one of the chief architects of Prop 8 – said the Church must continue funding discrimination because people “don’t understand” marriage.

The report breaks down publicly reported in-kind and cash expenditures from the Roman Catholic hierarchy, the Knights of Columbus, and NOM to the four ballot states. Final campaign figures from Maine and Maryland will be available in the coming weeks.

Complete Article HERE!

Quote of the Day

“When you rape children, cover it, rape them again, cover it up, rape them again, finally get caught, still cover it up, apologize, recant your apology, then blame the victim, you have zero moral authority to lecture others about their supposed sins.”

John Aravosis at AMERICAblog, writing about the Catholic Church’s most current bit of pearl-clutching over marriage equality.

Six men suing the Catholic church for alleged sexual abuse

A group of men from a northwestern Ontario First Nations community are suing a Winnipeg-based Roman Catholic order and others to seek redress for alleged sexual abuse they suffered at the hands of their community priest as young boys.

The six men from the Lac La Croix First Nation near Fort Francis seek unspecified financial damages from the federal government, a Catholic diocese in Thunder Bay and the order of Les Oblats de Marie Immaculee du Manitoba, along with a priest who lived and worked on the reserve in the 1960s.

The men range in age from 55 to 61.

In separate statements of claim, each alleges his life has been deeply and negatively affected by the aftershocks of sexual assaults he was subjected to — abuse the men say they felt powerless to speak out about given the priest’s position of power in their small community.

One man states that when he was 10 or 11 years old, the priest took him to his on-reserve home several times during the summer months and anally raped him. The behaviour continued until he was 13 or 14, the now-56-year-old says.

The other men make similar claims, one alleging he was abused more than two dozen times at the priest’s home and in a schoolhouse room. Another claims he was assaulted by the priest in a hotel room during a trip to Minnesota.

The priest died in May 1986.

The allegations have not been proven, and no statement of defence has been filed. No court date has been set to test the men’s claims.

The men state the Order and the Thunder Bay diocese should be held indirectly responsible for the actions of the now-late priest, who was a member of the order and an employee of the diocese, their lawsuits say.

“The Order and the Diocese held out (the priest) as an individual that embodied the values of the Roman Catholic faith such that it was implied that he could be trusted and that he would do no harm,” one lawsuit states.

The two organizations should have known there would be a “power imbalance” given the emphasis the faith places on obeying the wishes of its clergy, and the power the priest had over the “immortal souls” of the faithful in the community.

Complete Article HERE!

Watchdog group asks IRS to probe Catholic bishops

By David Gibson

A public watchdog group is charging the U.S. Conference of Catholic Bishops with openly politicking on behalf of Republican presidential candidate Mitt Romney and it wants the Internal Revenue Service to explore revoking the hierarchy’s tax-exempt status.

“In completely unqualified terms, the IRS should immediately tell the Conference of Catholic Bishops that the conduct of its members is beyond the pale,” said Melanie Sloan, executive director of Citizens for Responsibility and Ethics in Washington (CREW).

“If the Catholic bishops would like to continue receiving the tremendous tax benefits on which they rely, they should follow U.S. law and stay out of American politics,” Sloan added in a statement last Friday (Nov. 2) announcing the complaint.

Sloan argued that last-minute appeals by numerous bishops had crossed the line into electioneering. She named several prelates, including Bishop Daniel Jenky of Peoria, Ill., a fierce critic of President Barack Obama, who ordered his priests to read a letter at all Masses on Sunday that sharply criticized Democratic policies and warned that Catholics who voted for those policies would endanger their eternal salvation.

Though the complaint targets the bishops’ conference, the conference itself has no control over what individual bishops do or do not say. While the USCCB has been waging a fierce political battle with the Obama White House over a contraception mandate, it has been careful not to endorse either candidate.

The bishops under scrutiny deny they are being partisan, and say they are only stating Catholic teaching and pointing out that Democratic policies violate those teachings.

Complaints to the IRS about the Catholic Church are relatively infrequent; church-state watchdogs have generally targeted evangelical churches and other groups associated with the Christian right for violating laws on politicking from the pulpit.

The Freedom From Religion Foundation (FFRF), a secularist group based in Madison, Wis., on Monday announced that it had filed a report with the IRS charging evangelist Billy Graham’s ministry with campaigning on behalf of Romney.

The aging Graham, who turns 94 the day after the election, surprised many observers last month by pledging to “do all I can to help” Romney. The Billy Graham Evangelistic Association subsequently took out full-page newspaper ads in which Graham strongly urges believers “to vote for candidates who support the biblical definition of marriage between a man and woman, protect the sanctity of life and defend our religious freedoms.”

“The context of the ads and publications by BGEA evidence its intent to endorse candidate Mitt Romney,” FFRF co-president Annie Laurie Gaylor wrote in an Oct. 31 letter to the IRS.

The complaints may be moot, however. The Associated Press reported last week that a senior IRS official said the agency has not investigated any houses of worship over political complaints in three years, an assertion supported by many experts in the field.

Complete Article HERE!

MEA MAXIMA CULPA SILENCE IN THE HOUSE OF GOD

Alex Gibney, an award-winning documentary maker whose work has focussed on Lance Armstrong, Julian Assange, and Enron, has found his most contentious topic yet.

His Oscar-touted exposé, Mea Maxima Culpa: Silence in the House of God, traces a sex-abuse scandal from a Milwaukee Catholic church to the Vatican.

Gibney also shot parts of the film in Ireland and Italy and received €50,000 from the Irish Film Board. The movie was banned by the Venice and Rome film festivals this year.

According to the New York Post, Gibney said of its rejection: “I was disappointed. The Vatican exerts a very strong influence in Italy. There is a palpable sense of fear there. This film takes on the Vatican’s complicity [in covering it up].”

The film won the best documentary prize at the London Film Festival last week.

It was co-produced by Belfast’s Below the Radar production company, and is in cinemas in the US from Nov 16.

It follows the story of Fr Lawrence Murphy at the St John’s School for the Deaf in Wisconsin, who molested 200 pupils for 24 years. He was never disciplined, even after his actions were brought to the attention of the Vatican. Instead, he was moved to other schools.

“The direct connection of the Vatican to this sheds light on the way they’ve shoved this stuff under the carpet,” said Gibney, who discovered a similar scandal involving deaf students in Verona in Italy while making the film.

Five students are interviewed in the film, and, as they use sign language, their words are voiced by actors.

Gibney said: “We play with the idea of silence in this film. How could this predatory behaviour exist with people so helpless?

“With the priests in Italy… there is very little sympathy for victims.

“Instead, there’s this resentment that people would attack the Church. What else is in this huge cache of documents in the secret Vatican archives that has been compiled for centuries?”

Maryland Catholic Priest Breaks With Church To Urge Marriage Equality

At Baltimore’s St. Vincent de Paul Church, Rev. Richard T. Lawrence read the archbishop’s statement urging a vote against the marriage bill referendum. He then told his parishioners why the archbishop was wrong.

A Maryland priest bucked the Vatican — and his own archbishop — Sunday by telling his parishioners that he sees a future in which the Roman Catholic Church could recognize “the total, exclusive and permanent union of gay and lesbian couples as part of the sacrament of matrimony.”

The Rev. Richard T. Lawrence drew a quick response from the local Catholic hierarchy. Baltimore Archbishop William E. Lori asked that a copy of Rev. Richard T. Lawrence’s homily that had been posted online at the church’s website be removed because it ran counter to Catholic Church teaching on the subject. Lawrence complied, Lawrence’s pastoral associate, Chris McCullough, told BuzzFeed on Thursday.

Lawrence acknowledged in his sermon that the sea change he predicted won’t happen in the near future, but in the meantime he told parishoners at Baltimore’s St. Vincent de Paul Church on Sunday that “even if we do not believe that gay marriage ever could or should be allowed in the church, we could live with a provision that allows civil marriage of gay and lesbian couples.”

Lawrence’s striking opposition to the Catholic Church’s strong teaching against the recognition of same-sex couples’ marriages, reported first in the National Catholic Reporter, was, in and of itself, unexpected in light of the dogmatic path set by Pope Benedict XVI.

What made Lawrence’s presentation of his view more remarkable was that it was preceded by his reading the letter written by Lori, who as archbishop oversees Lawrence, urging the congregation of the importance of opposing the referendum in Maryland on Nov. 6 over the marriage equality bill passed and signed into law earlier this year. Lori told all parishioners in the letter, read by Lawrence, that they faced “the momentous choice of whether to maintain marriage as the union of one man and one woman in Maryland, or to irrevocably dismantle our state’s legal recognition of the most basic unit of our society — the family unit of mother, father and child.”

Lawrence, after finishing the archbishop’s letter, then told the congregation of his views and asked them, “[C]ould not civil law be allowed to progress where church law cannot go, at least not yet? Personally, I believe that it can and that it should.”

He concluded: “So there you have it: the official teaching of the church and my personal reflections.”
According to the Catholic Reporter’s Arthur Jones, the parishioners gave Lawrence a standing ovation.

Lawrence’s move fits with his biography on the church’s website, which notes that he has been “active in social justice ministries all his life, starting with the Civil Rights movement in the [1960s] and the Peace movement in the [1970s], and is today one of the leaders in the Inclusive Housing movement.”

Moreover, on Thursday, Chris McCullough, the pastoral associate at St. Vincent de Paul Church told BuzzFeed that, although the homily had been taken down from the church’s website, the Catholic Reporter article provided “a very solid, essential synopsis of the homily.”

Of the archbishop’s response, McCullough said, “We knew there would be repercussions.” He added, “I think it’s gracious that there wasn’t further punitive action taken.”

McCullough said, despite the pushback from the archbishop, Lawrence gave the homily because he wanted parishioners to know “there are other opinions” and “to keep [those opinions] in dialogue.”

Complete Article HERE!

MEA MAXIMA CULPA SILENCE IN THE HOUSE OF GOD

Alex Gibney, an award-winning documentary maker whose work has focussed on Lance Armstrong, Julian Assange, and Enron, has found his most contentious topic yet.

His Oscar-touted exposé, Mea Maxima Culpa: Silence in the House of God, traces a sex-abuse scandal from a Milwaukee Catholic church to the Vatican.

Gibney also shot parts of the film in Ireland and Italy and received €50,000 from the Irish Film Board. The movie was banned by the Venice and Rome film festivals this year.

According to the New York Post, Gibney said of its rejection: “I was disappointed. The Vatican exerts a very strong influence in Italy. There is a palpable sense of fear there. This film takes on the Vatican’s complicity [in covering it up].”

The film won the best documentary prize at the London Film Festival last week.

It was co-produced by Belfast’s Below the Radar production company, and is in cinemas in the US from Nov 16.

It follows the story of Fr Lawrence Murphy at the St John’s School for the Deaf in Wisconsin, who molested 200 pupils for 24 years. He was never disciplined, even after his actions were brought to the attention of the Vatican. Instead, he was moved to other schools.

“The direct connection of the Vatican to this sheds light on the way they’ve shoved this stuff under the carpet,” said Gibney, who discovered a similar scandal involving deaf students in Verona in Italy while making the film.

Five students are interviewed in the film, and, as they use sign language, their words are voiced by actors.

Gibney said: “We play with the idea of silence in this film. How could this predatory behaviour exist with people so helpless?

“With the priests in Italy… there is very little sympathy for victims.

“Instead, there’s this resentment that people would attack the Church. What else is in this huge cache of documents in the secret Vatican archives that has been compiled for centuries?”