Film defrocks church hierarchy over handling of sex abuse

By Andrea Burzynski

Four deaf Wisconsin men were some of the first to seek justice after suffering childhood sexual abuse at the hands of a priest, and a new documentary about the Catholic Church’s poor handling of such cases stemming from the Vatican seeks to make their voices heard.

“Mea Maxima Culpa: Silence in the House of God” explores the impact of the Roman Catholic Church’s protocol as dictated from the Vatican for dealing with pedophile priests. It opens in U.S. cinemas on November 16, and will air on cable channel HBO in February.

Though American media coverage about child sex abuse by clergy has been extensive since a slew of cases came to light in Boston in 2002, Oscar-winning documentary director Alex Gibney wanted to connect individual stories with what he sees as systemic failures stemming from the top of the church.

“A lot of individual stories had been done about clerical sex abuse, but I hadn’t seen one that really connected the individual stories with the larger cover-up by the Vatican, so that was important,” Gibney told Reuters in an interview.

The film centers on the group of deaf men and their experiences as young boys attending St. John’s School for the Deaf in St. Francis, Wisconsin.

In a letter to the Vatican in 1998, the late Rev. Father Lawrence Murphy admitted abusing some 200 deaf boys over two decades beginning in the 1950s.

Murphy claimed he had repented, and asked to live out his last years as a priest, and was never defrocked or punished by civil authorities. He died in 1998.

In the film, the men communicate their frustrating attempts to bring their experiences to the attention of religious and civil authorities with effusive sign language and facial expressions, paired with voiceovers by actors such as Ethan Hawke.

The film also traces a convoluted bureaucracy – right up to the cardinal who is now Pope Benedict – to reveal a set of policies that the film portrays as often seeming more interested in preserving the Church’s image.

STRUGGLING TO BE HEARD

“These were deaf men whose voices literally couldn’t be heard, so there was a silence from them, and there was also this silence coming from the church, a refusal to confront this obvious crime, in part because they were covering it up,” said Gibney.

The Vatican has denied any cover-up in the Murphy case and in 2010 issued a statement condemning his abuse. It has criticized media reports about the Church’s handling of the cases as anti-Catholic.

Contrasting that, the film shows interviews with former church officials who talk openly of church policies to handle cases by “rehabilitating” abusive clergymen and snuffing out scandal.

Gibney said that all of the Vatican officials he contacted declined his interview requests.

Raised Catholic himself, Gibney no longer practices organized religion, but empathizes with Catholics who feel a sense of loyalty to the religion’s institutions and acknowledges that criticism of the church can feel like a personal attack.

“Mea Maxima Culpa,” a Latin phrase meaning “my most grievous fault” focuses on the failures of the Catholic Church’s hierarchy. But Gibney – who won an Oscar for “Taxi to the Dark Side” – said the film’s theme transcends religion and is also relevant for secular institutions.

“This is obviously about the church, but it’s also a crime film,” he said. “It’s about abuse of power and it’s about how institutions instead of reckoning with problems try to cover them up. It’s always the cover-up that creates the problem.”

He cited the Jerry Sandusky sex abuse scandal that rocked Penn State University recently, and the BBC’s poor handling of abuse allegations against the late British TV personality Jimmy Savile as examples of secular institutions brought low by similar issues.

“The thing about predators is that they tend to hide in plain sight,” Gibney said. “You’re seeing it now with Sandusky, you’re seeing it now with Jimmy Savile in Great Britain, and you saw it with Father Murphy in the film.”

Gibney thinks that the public’s stubbornly rosy perceptions of charismatic authority figures, including priests, is a major factor in such scandals.

“They’re often involved in charity or good works,” he said of high-profile abusers. “That seems to give you license to do unbelievable things because people cut you all sorts of slack that they wouldn’t normally do for other people.”

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Quote of the Day

“When you rape children, cover it, rape them again, cover it up, rape them again, finally get caught, still cover it up, apologize, recant your apology, then blame the victim, you have zero moral authority to lecture others about their supposed sins.”

John Aravosis at AMERICAblog, writing about the Catholic Church’s most current bit of pearl-clutching over marriage equality.

MEA MAXIMA CULPA SILENCE IN THE HOUSE OF GOD

Alex Gibney, an award-winning documentary maker whose work has focussed on Lance Armstrong, Julian Assange, and Enron, has found his most contentious topic yet.

His Oscar-touted exposé, Mea Maxima Culpa: Silence in the House of God, traces a sex-abuse scandal from a Milwaukee Catholic church to the Vatican.

Gibney also shot parts of the film in Ireland and Italy and received €50,000 from the Irish Film Board. The movie was banned by the Venice and Rome film festivals this year.

According to the New York Post, Gibney said of its rejection: “I was disappointed. The Vatican exerts a very strong influence in Italy. There is a palpable sense of fear there. This film takes on the Vatican’s complicity [in covering it up].”

The film won the best documentary prize at the London Film Festival last week.

It was co-produced by Belfast’s Below the Radar production company, and is in cinemas in the US from Nov 16.

It follows the story of Fr Lawrence Murphy at the St John’s School for the Deaf in Wisconsin, who molested 200 pupils for 24 years. He was never disciplined, even after his actions were brought to the attention of the Vatican. Instead, he was moved to other schools.

“The direct connection of the Vatican to this sheds light on the way they’ve shoved this stuff under the carpet,” said Gibney, who discovered a similar scandal involving deaf students in Verona in Italy while making the film.

Five students are interviewed in the film, and, as they use sign language, their words are voiced by actors.

Gibney said: “We play with the idea of silence in this film. How could this predatory behaviour exist with people so helpless?

“With the priests in Italy… there is very little sympathy for victims.

“Instead, there’s this resentment that people would attack the Church. What else is in this huge cache of documents in the secret Vatican archives that has been compiled for centuries?”

Roman Catholic Church Finances in the United States

The finances of the Roman Catholic Church tend to be well concealed. But a spate of bankruptcy cases in the US (8 out of 196 dioceses, with Honolulu teetering on the brink) has enabled The Economist to examine the situation in that country in more detail than is usually possible.

There are 74 million people in the US who describe themselves as Roman Catholic, and the expenditure of the Church is estimated as $170 billion in 2010. Of this, 57% was spent on health-care networks, 28% on colleges and universities, 6% on dioceses, parishes and schools, and 2.7% on charitable activities. Over 1 million people were employed (by comparison, the Walmart supermarket chain employed 2 million people). Less than a tenth of the income comes from church offerings; much of the rest comes from investments, property, wealthy businessmen, and local and federal government support for the hospitals, universities and schools. The Church in the US probably has about 60% of the total wealth of the Roman Catholic Church worldwide.

The Church has paid out $3.3 billion in settlements for child abuse over the last 15 years and this figure is expected to rise considerably. The dioceses are financially independent and the settlements are made by individual dioceses, which is why a number of them have gone bankrupt as a consequence of these settlements. Ten states are considering relaxing the time limitation on investigating child abuse, which could lead to the bankruptcy of several more dioceses. It is estimated that the Church is spending somewhere between $100 000 and $1 million a year in opposing the relaxation of this time limit. The child abuse scandal has led to a considerable reduction in donations to the Church and, at the same time, the shortage of priests and nuns has reduced the amount of the cheap labour available to the Church and has increased the running costs.

The rest of the report is somewhat technical but the following points emerge. Several dioceses have responded to their financial difficulties by raiding the priests’ pension funds. Between 1986 and 2002 the Diocese of Boston collected about $70-90 million in Easter and Christmas offerings, none of which was paid into the clergy retirement fund, although many parishioners thought that this was where the money was going.

Some dioceses have presented their funds as consisting of numerous different accounts for parishes, schools, hospitals, etc, when in fact there is just a single account. The parishes, schools and hospitals have then lost all their investments when the diocese has gone bankrupt.

Other dioceses, threatened with bankruptcy, have tried to shield their money by moving it out of diocesan accounts. In the ongoing Milwaukee bankruptcy case, the Archbishop of Milwaukee authorized a transfer of $55.6 million from the diocesan account into a cemetery fund. One Californian lawyer who has been involved in several of the bankruptcy cases says, ‘We have seen a consistent tactic of Catholic bishops to shrink the size of their assets, which is not only wrong morally but in violation of state and federal laws’. A whole city block in downtown San Diego was valued in the diocesan accounts at $40 000, the price that had been paid for it in the 1940s. The judge in the case was so irritated by the various ‘shenanigans’ that she ordered a special investigation into the diocesan finances.

The Economist report exposes considerable financial corruption in Roman Catholic dioceses in America but, as so often when dealing with the Church of Rome, there is a reluctance to draw conclusions. Somehow the idea is preserved that the Church of Rome is doing a lot of good in America. One would hope that, from her financial corruption, people would readily deduce her spiritual corruption, but they are remarkably slow to do so.

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Catholic theologian preaches revolution to end church’s ‘authoritarian’ rule

Hans Küng urges confrontation from the grassroots to unseat pope and force radical reform at Vatican

One of the world’s most prominent Catholic theologians has called for a revolution from below to unseat the pope and force radical reform at the Vatican.

Hans Küng is appealing to priests and churchgoers to confront the Catholic hierarchy, which he says is corrupt, lacking credibility and apathetic to the real concerns of the church’s members.

In an exclusive interview with the Guardian, Küng, who had close contact with the pope when the two worked together as young theologians, described the church as an “authoritarian system” with parallels to Germany’s Nazi dictatorship.

“The unconditional obedience demanded of bishops who swear their allegiance to the pope when they make their holy oath is almost as extreme as that of the German generals who were forced to swear an oath of allegiance to Hitler,” he said.

The Vatican made a point of crushing any form of clerical dissent, he added. “The rules for choosing bishops are so rigid that as soon as candidates emerge who, say, stand up for the pill, or for the ordination of women, they are struck off the list.” The result was a church of “yes men”, almost all of whom unquestioningly toed the line.

“The only way for reform is from the bottom up,” said Küng, 84, who is a priest. “The priests and others in positions of responsibility need to stop being so subservient, to organise themselves and say that there are certain things that they simply will not put up with anymore.”

Küng, the author of around 30 books on Catholic theology, Christianity and ethics, which have sold millions worldwide, said that inspiration for global change was to be found in his native Switzerland and in Austria, where hundreds of Catholic priests have formed movements advocating policies that openly defy current Vatican practices. The revolts have been described as unprecedented by Vatican observers, who say they are likely to cause deep schisms in the church.

“I’ve always said that if one priest in a diocese is roused, that counts for nothing. Five will create a stir. Fifty are pretty much invincible. In Austria the figure is well over 300, possibly up to 400 priests; in Switzerland it’s about 150 who have stood up and it will increase.”

He said recent attempts by the archbishop of Vienna, Christoph Schönborn, to try to stamp out the uprising by threatening to punish those involved in the Austrian “priests’ initiative” had backfired owing to the strength of feeling. “He soon stopped when he realised that so many ordinary people are supportive of them and he was in danger of turning them all against him,” Küng said.

The initiatives support such seemingly modest demands as letting divorced and remarried people receive communion, allowing non-ordained people to lead services and allowing women to take on important positions in the hierarchy. However, as they go against conventional Catholic teaching, the demands have been flatly rejected by the Vatican.

Küng, who was stripped of the authority to teach Catholic theology by Pope John Paul II in 1979 for questioning the concept of papal infallibility, is credited with giving the present pope, Joseph Ratzinger as he then was, the first significant step up the hierarchy of Catholic academia when he called him to Tübingen University, in south-west Germany, as professor of dogmatic theology in 1966.

The pair had worked closely for four years in the 1960s as the youngest theological advisers on the second Vatican council – the most radical overhaul of the Catholic church since the middle ages. But the relationship between the two was never straightforward, with their political differences eventually driving a wedge between them. The dashing and flamboyant Hans Küng, by various accounts, often stole the limelight from the more earnest and staid Joseph Ratzinger.

Küng refers to the “heap of legends” that abound about himself and Ratzinger from their “Tübingen days”, not least the apocryphal accounts of how he gave lifts in his “red sports car” to the bicycle-riding Ratzinger.

“I often gave him a lift, particularly up the steep hills of Tübingen, yes, but too much has been made of this,” he said. “I didn’t drive a sports car, rather an Alfa Romeo Giulia. Ratzinger admitted himself that he had no interest in technology and had no driving licence. But it’s often been turned into some kind of pseudo-profound metaphor idealising the ‘cyclist’ and demonising the ‘Alfa Romeo driver’.”

Indeed the “modest” and prudent “bicycle-rider” image that pope-to-be, now 85, fostered for years has all but evaporated since his 2005 inauguration, according to Küng.

“He has developed a peculiar pomposity that doesn’t fit the man I and others knew, who once walked around in a Basque-style cap and was relatively modest. Now he’s frequently to be seen wrapped in golden splendour and swank. By his own volition he wears the crown of a 19th-century pope, and has even had the garments of the Medici pope Leo X remade for him.”

That “pomposity”, he said, manifested itself most fully in the regular audiences who gather on St Peter’s Square in Rome. “What happens has Potemkin village dimensions,” he said. “Fanatical people go there to celebrate the pope, and tell him how wonderful he is, while meanwhile at home their own parishes are in a lamentable state, with a lack of priests, a far higher number than ever before of people who are leaving than are being baptised and now Vatileaks, which indicates just what a poor state the Vatican administration is in,” he said, referring to the scandal over leaked documents uncovering power struggles within the Vatican which has seen the pope’s former butler appear in court. The trial ends on Saturday.

It was in Tübingen that the paths of the two theologians crossed for several years before diverging sharply following the student riots of 1968. Ratzinger was shocked by the events and escaped to the relative safety of his native Bavaria, where he deepened his involvement in the Catholic hierarchy. Küng stayed in Tübingen and increasingly assumed the role of the Catholic church’s enfant terrible.

“The student revolts were a primal shock for Ratzinger and after that he became ever more conservative and part of the hierarchy of the church,” said Küng.

Calling Pope Benedict XVI’s reign a “pontificate of missed opportunities”, in which he had forgone chances to reconcile with the Protestant, Jewish, orthodox and Muslim faiths, as well as failing to help the African fight against Aids by not allowing the use of birth control, Küng said his “gravest scandal” was the way he had “covered up” worldwide cases of sexual crimes committed by clerics during his time as the head of the Roman Congregation for the Doctrine of the Faith as Cardinal Ratzinger.

“The Vatican is no different from the Kremlin,” Küng said. “Just as Putin as a secret service agent became the head of Russia, so Ratzinger, as head of the Catholic church’s secret services, became head of the Vatican. He has never apologised for the fact that many cases of abuse were sealed under the secretum pontificium (papal secrecy), or acknowledged that this is a disaster for the Catholic church.” Küng described a process of “Putinisation” that has taken place at the Vatican.

Yet despite their differences, the two have remained in contact. Küng visited the pope at his summer retreat, Castel Gandolfo, in 2005, during which the two held an intensive four-hour discussion.

“It felt like we were on an equal footing – after all, we’d been colleagues for years. We walked through the park and there were times I thought he might turn the corner on certain issues, but it never happened. Since then we’ve still kept exchanging letters, but we’ve not met.”

Kung has travelled widely in his life, befriending everyone from Iranian leaders to John F. Kennedy, and Tony Blair with whom he forged close links a decade ago, becoming something of a spiritual guru for the then British prime minister ahead of his decision to convert to Catholicism.

“I was impressed how he tackled the Northern Ireland conflict. But then came the Iraq war and I was extremely troubled by the way in which he collaborated with Bush. I wrote to him calling it a historical failure of the first order. He wrote me a hand-written note in reply, saying he respected my views and thankyou, but that I should know he was acting according to his conscience and was not trying to please the Americans. I was astounded that a British prime minister could make such a catastrophic mistake, and he remains for me a tragic figure.” He described Blair’s conversion to Catholicism as a mistake, insisting he should instead have used his role as a public figure to reconcile differences between the Anglican and Catholic churches in the UK.

From his book-filled study, where a portrait of Sir Thomas More, the 16th-century English Catholic martyr, hangs on the wall, Küng looks out on to his front garden and a two-metre-tall statue of himself. Critics have called it symptomatic of Kung’s inflated sense of his own importance. He is embarrassed as he attempts to explain how it was a gift from his 20-year-old Stiftung Weltethos, (Foundation for a Global Ethic), which operates from his house and will continue to do so after his death.

Far from putting the brakes on his prolific theological output, Küng has recently distilled the ideas of Weltethos – which seeks to create a global code of behaviour, or a globalisation of ethics – into a capricious musical libretto. Mixing narrative with excerpts from the teachings of Confucianism, Hinduism, Buddhism, Judaism, Islam and Christianity, Küng’s writings have been incorporated into a major symphonic work by the British composer Jonathan Harvey that will have its London premiere on Sunday at the Southbank Centre.

Küng says the musical work, like the foundation, is an attempt to emphasise what the religions of the world have in common rather than what divides them.

Weltethos was founded in the early 1990s as an attempt to bring the religions of the world together by emphasising what they have in common rather than what divides them. It has drawn up a code of behavioural rules that it hopes one day will be as universally acceptable as the UN.

The work’s aim is arguably high-minded – Harvey described the demanding task of writing a score for the text as an “awe-inspring responsibility”. But Küng, who has won the support of leading figures including Henry Kissinger, Kofi Annan, Jacques Rogge, Desmond Tutu, Mary Robinson and Shirin Ebadi, insisted its aims were grounded in basic necessity.”At a time of paradigm change in the world, we need a common set of principles, most obvious among them the Golden Rule, in which Confucius taught to not impose on others what you do not wish for yourself,” he said.

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